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    • Professional Development

    GreenHouse Residency Workshop: Words in Motion – Writing for Performance with Ben Ashby

    Join award-winning writer and theatre-maker Ben Ashby for a dynamic two-hour workshop exploring writing for performance at The Butter Factory Theatre. Open to writers of all backgrounds – poets, fiction and non-fiction writers, essayists, and even those who simply take a lot of time to curate your Instagram posts – this workshop invites participants to experiment with new ways of creating work designed to be spoken aloud or performed. No performance experience is required. Through a series of engaging, devised theatre techniques, Ben will guide participants in generating new material inspired by music, imagery, and movement. The session will focus on shaping and refining short pieces, with an emphasis on enhancing emotional impact and strengthening audience connection. Ben Ashby is the writer and co-director of a2 Company, a multi-award-winning physical theatre company recognised for its striking integration of text, movement, and video. His work has received major accolades including Best Theatre at Melbourne Fringe and Best in Fringe at Dunedin Fringe, with further nominations at New Zealand Fringe. His writing is widely described as fresh, urgent, and high-impact. Whether you’re looking to develop your practice or try something new, this workshop offers a supportive and inspiring space to create, share, and connect.

    Applications closing: 30 May 2026

    Opportunity: Murray Arts

    • Wodonga City
    • Expression of Interest

    Reconciliation Wall Exhibition

    Exhibiting on the Reconciliation Wall Applications to exhibit between January to June of the following year close on 31 May and applications to exhibit between July to December of the following year close 30 November. The Reconciliation Wall is located in the Fountain Court and is part of the Parliament’s commitment to reconciliation with Aboriginal and Torres Strait Islander people. The purpose of the Reconciliation Wall is to better engage with and promote Aboriginal and Torres Strait Islander artists in New South Wales, via exhibitions of high quality art. The Reconciliation Wall is also used from time to time to exhibit the Parliament’s own Aboriginal art collection, which includes past winners of the Parliament of New South Wales Aboriginal Art Prize.   Who can apply to exhibit The Reconciliation Wall is principally reserved for the exhibition of works by Aboriginal and Torres Strait Islander artists from New South Wales and must have some connection with the Parliament or communities within the state. Applications to use the exhibition space are invited from Aboriginal organisations, including artist groups and collectives, charitable or not-for-profit organisations, as well as exhibitions supported by government bodies.   What you need to do As a first step please read:

      You will then need to contact a member of Parliament to request that they support your application and agree to act as the parliamentary host. Once a member has agreed to support the exhibition, completed the Reconciliation Wall form​ and lodge the form with the Usher of the Black Rod. If you have any questions please contact the Black Rod team on (02) 9230 2619 or exhibtions@parliament.nsw.gov.au. You can also find more information in our print-friendly Fountain Court Brochure.

    Applications closing: 31 May 2026

    Opportunity: Parliament of NSW

    • Albury City
    • Federation Shire
    • Greater Hume Shire
    • Indigo Shire
    • Towong Shire
    • Wodonga City
    • Touring

    Contemporary Music Touring Program

    Key Dates Applications close: Tuesday 2 June 2026 at 3pm AEST Notification date: Late August 2026 Supported activity: From 1 September 2026 Future closing dates: Tuesday 13 October 2026, Tuesday 2 June 2027   About the Program The Contemporary Music Touring Program (CMTP) supports national touring activity undertaken by Australian musicians performing original Australian contemporary music. The tour must comprise of performances in at least three venues or locations outside of the performer’s hometown. Tours that include regional and remote destinations, or which assist performers residing in regional and remote areas to tour, are a priority for funding. Grants are available from $5,000 to $50,000, depending on the number of tour venues or locations in regional or remote areas. If you think you will have difficulty submitting your application online, please contact Artists Services.   Eligibility Who can apply You may submit a maximum of two applications to each round of CMTP. You may apply as an individual, on behalf of a group, or as an organisation, to tour live music performances within Australia. Touring musicians must be performing original Australian contemporary music. Funding can be provided to performers, managers, agents, and music networks on behalf of professionals working in the Australian music industry. Applications must contain one tour only.   Who can’t apply You can’t apply for a grant if:

    • your tour does not involve the presentation of original Australian contemporary music
    • you received a grant, or administered a grant, from Creative Australia in the past and that grant has not been satisfactorily acquitted
    • you owe money to Creative Australia.
      What you can apply for Performances of original Australian contemporary music can include a wide range of different musical styles. The tour must comprise of performances in at least three venues or locations outside of the performer’s hometown. Tours that include regional and remote destinations, or which assist performers residing in regional and remote areas to tour, are a priority for funding. Eligible touring activity includes:
    • headline tour, support tour, opening slot (or a combination of all three)
    • festival or Biennale appearances
    • commissioned performances.
    You can apply for between $5,000 and $50,000. The amount you can apply for depends on where you are touring to or from:
    • If your itinerary contains only metropolitan performances, you may request up to $15,000.
    • If your itinerary contains at least one regional or remote performance, you may request up to $25,000.
    • If you have at least three confirmed remote or very remote locations in your itinerary, you may request up to $50,000.
    • Contemporary Music Touring Program in general supports touring outside of your home state/territory. If you are an artist based in a remote location, proposing an intrastate tour, you can apply for up to $50,000. You must provide a compelling rationale as to why this is appropriate.
    • If you are an artist based in a remote or very remote location proposing an interstate tour (including metro and/or regional locations), with a minimum of 3 shows, you can apply for up to $50,000. You must provide a compelling rationale as to why this is appropriate.
    The Accessibility/Remoteness Index of Australia (ARIA) helps determine the regional and remote reach of the tour. To find out if you meet the ARIA rating to qualify for additional funding, begin a grant in our online system. When you get to the ‘Outline your project’ section, the system will automatically look up the ARIA code once you enter the details of the state, town and postcode of the location you are searching for. To assist in planning your tour, you can download the ARIA Code list from our website to search for the relevant ARIA codes. If you need help with your application, contact an Artists Services Officer. Joint tours, where two or more independent performers are undertaking the same tour itinerary, are eligible under this program. These should be submitted as a single application. In such cases, the funding caps still apply. You may apply for all costs associated with completing your touring activity. Eligible costs include but are not limited to:
    • artist and creative worker fees
    • agent / manager fees
    • flights, accommodation, per diems, ground transport costs
    • insurance
    • freight or baggage costs
    • childcare, carer and access costs
    • costs associated with reducing the environmental impact of your activity.
    Access costs are legitimate expenses and may be included in your application. We encourage applicants to ensure that their work is accessible to everyone. Therefore, budgets may also include costs associated with making activities accessible to a wide range of people (e.g. performances using Auslan, translation to other languages, captioning, audio description, temporary building adjustments, and materials in other formats). If you are an applicant with a disability, or are working with artists with disability, you may apply for access costs associated with the use of an interpreter, translation services, specific technical equipment, carer or support worker assistance. Please contact an Artists Services Officer to discuss your specific needs.   What can’t you apply for You can’t apply for:
    • a tour to fewer than three venues or locations outside the performer’s home town
    • overseas tours
    • tours by non-Australian performers
    • tours which are primarily schools-based (except for applications seeking remote or very remote touring funds where the school is the primary venue in a remote or very remote location)
    • tours that do not involve the presentation of original Australian contemporary music
    • tours or performances that have already taken place.
      Protocols Your application must comply with the following Protocols. We may contact you to request further information during the assessment process, or if successful, as a condition of your funding.
    • Protocols for using First Nations Cultural and Intellectual Property in the Arts
    All applications involving First Nations artists, communities or subject matter must adhere to these Protocols, and provide evidence of this in their application and support material. More information on the First Nations Protocols is available here.
    • Commonwealth Child Safe Framework
    All successful applicants are required to comply with all Australian law relating to employing or engaging people who work or volunteer with children, including working with children checks and mandatory reporting. Successful organisations who provide services directly to children, or whose funded activities involve contact with children, will additionally be required to implement the National Principles for Child Safe Organisations   Peer assessment Applications to the Contemporary Music Touring Program will be assessed by a panel of peers drawn from the Music sector. Peers will primarily refer to the information supplied in applications and support material to make their assessment. They may also consider their own engagement with the work, relevant professional experience, and advice from our staff.   Assessment criteria Peers will assess your application against the following three criteria: Quality Peers will assess the calibre of the artists and arts workers involved and the quality of the music. They may consider:
    • the strength of the artistic support material provided
    • the track record of the key artists involved, including their achievements, as evidenced by their biography and professional profile.
    Impact Peers will assess the impact your application will have on the development of Australian culture. They may consider:
    • regional extent of the proposed tour, as indicated by the geographical locations of the proposed itinerary
    • benefits provided through the tour to people in touring locations (e.g. local emerging artists, audiences, additional community activities)
    • any partnerships or collaborations with local personnel or organisations in touring locations
    • inclusion of all-ages performances in the tour itinerary.
    Viability Peers will assess the viability of your budget and touring logistics. They may consider:
    • how viable and achievable the project is (as evidenced by the budget, itinerary and planning)
    • appropriate payments to participating artists, arts professionals, collaborators, participants, or cultural consultants
    • the quality of the marketing/audience development strategy, including evidence of demand in proposed locations
    • the resources supporting the project (including financial and/or in-kind)
    • the strength of the people, presenters and partners involved, including confirmations and their track record delivering similar tours
    • appropriate safety and wellbeing practices in place for artists, venues or locations and audiences
    • where relevant, evidence of an environmental impact plan which may include cost-benefits.
      Support material Additional material can be submitted to help support your application. Peers will review support material to gain an understanding of the quality of your work, and where relevant, the skills and role of other artists or partners involved. We do not accept support materials submitted via post. Application-related material received by post will not be assessed and will be returned to the sender. If you think you will have difficulty submitting your support material online, please contact Artists Services. You can submit the following support material with your application:
    1. Artistic support material
    You can submit up to three URLs (weblinks) to written material, images, video or audio as a recent example of your work. Peers may review up to:
    • 10 pages of written material
    • 10 images
    • 10 mins of video or audio recording.
    Learn more about support material, including how to submit late confirmations after the closing date, and advice on how to get examples of your work online. In some circumstances we will accept support material in another format. Please contact Artists Services for further advice.
    1. Additional artist information
    You can include a brief bio or curriculum vitae summary of any additional artists involved in your project. All bios should be included as a single document and a maximum of two pages in total.
    1. Letters of support
    Where appropriate, you can include up to five letters from proposed participants in support of your project. All letters of support should be included as a single document and a maximum of five pages in total.
    1. Environmental impact
    If your project has an environmental impact, you should provide evidence of an environmental impact plan which may include cost-benefits. Arts On Tour’s Green Touring Toolkit and Green Music Australia’s Sound Country provide provides detailed information and resources for artists and arts organisations on how to mount a sustainable tour.

    Applications closing: 02 June 2026

    Opportunity: Creative Australia

    • Albury City
    • Federation Shire
    • Greater Hume Shire
    • Indigo Shire
    • Towong Shire
    • Wodonga City
    • Award / Prize / Competition

    Contemporary Small Sculpture Award

    Exhibition dates: 24 August – 9 October 2026 The Deakin University Contemporary Small Sculpture Award, established in 2009, is organised by the Art Collection and Galleries Unit at Deakin University. The award celebrates contemporary sculptures from artists around Australia, culminating in an exhibition of finalists’ work held in August to October each year at the Deakin University Art Gallery. A panel, which changes composition each year, shortlists around 40 entries as finalists from a entry pool which is growing annually, last year receiving 735 submissions. The same panel then chooses the Acquisitive First Prize Winner – supported by Michael and Emily Tong – and a Highly Commended – supported by UniSuper. The winning work goes into the Deakin University Art Collection. In 2026 the award will also include an inaugural Emerging Sculptors Award. The finalist exhibition is held for a period of 6-8 weeks at the Deakin University Art Gallery on Deakin’s Melbourne Burwood campus. At the end of the exhibition, a People’s Choice winner is determined by vote from exhibition visitors.   Prizes

    • $15,000 Winner, Acquisitive First Prize, supported by Michael and Emily Tong
    • $5,000 Emerging Sculptors Award (non-acquisitive)
    • $3,000 Highly Commended (non-acquisitive), supported by UniSuper
    • $3,000 People’s Choice Award
      Key dates ENTRIES OPEN: 9 am AEST Monday 6 April 2026 ENTRIES CLOSE: Midnight AEST Friday 5 June 2026 ARTISTS NOTIFIED OF OUTCOME: Friday 17 July 2026 DELIVERY OF WORK TO DEAKIN: Tuesday 11 August 2026 EXHIBITION OPENS: Monday 24 August 2026 EXHIBITION CLOSES: Friday 9 October 2026 COLLECTION OF WORK FROM DEAKIN: Tuesday 13 October 2026   Judging panel Each year the judging panel consists of the Senior Manager, Art Collection and Galleries, Deakin University, and two arts industry representatives.   Terms of Entry
    1. There is no entry fee for this award.
    2. Entry is only open to individuals who are resident in Australia for legal or tax purposes at the time of entry and who provide an Australian residential address. Entries will not be accepted from non-residents or overseas.
    3. This competition is for free-standing sculptures only. The sculpture cannot be hung from a wall or ceiling.
    4. The sculpture must be no more than 70 cm in any dimension, this includes the height, width, depth and diagonal. The sculpture may include multiple parts but not extend outside of the dimension requirements. If supported by a stand, then the height of the stand is to be included in the height of the sculpture. (This does not include a plinth, or other object that the work may ultimately be displayed on).
    5. The sculpture must be not more than 30 kilograms in weight (including any stand required to support the work). The sculpture can be in any medium provided it is not inherently fragile, dangerous or harmful, and must be free-standing.
    6. Deakin reserves the right to decline acceptance of any sculpture that in its opinion fails to meet the entry requirements.
    7. Finalists will be selected by the judging panel consisting of the Senior Manager, Art Collection and Galleries, Deakin University, and two arts industry representatives who will be announced once judging of the finalists is complete.
    8. One outstanding entry will be awarded a first prize of $15,000 (ex GST) supported by Michael and Emily Tong, by the judging panel. To receive the Award sum, the winner of the Award must transfer ownership of their sculpture to Deakin University free of all adverse interests and claims and sign any documentation required by Deakin to give effect to the transfer.
    9. One outstanding entry will be awarded a Highly Commended prize of $3,000 (ex GST) supported by UniSuper, by the judging panel. This prize is non-acquisitive, and the artwork does not become part of the Deakin Collection.
    10. One finalist will be awarded a $5,000 Emerging Sculptors Award, this prize is not acquisitive.  An “emerging sculptor” will be informed by reference to the NAVA careers stages definition of an early-career artist as outlined on their webpage at the time entries open in particular: a sculptor in initial stages of their professional career, perhaps recently graduated, operating beyond a hobby but unlikely to have their practice supporting full time or continuous income.
    11. A finalist may be eligible for more than one Award.
    12. Payment of any Award to the Award winners will be made on provision to Deakin of bank account details. If the winner is registered for GST and wants to add GST to their payment, payment will be made on provision of a tax invoice.
    13. The First Prize Award winner agrees to be available to give a 30-minute public talk about their work, if requested, either in person or online. A separate fee payable by Deakin for delivery of this talk will be negotiated with the Award winner.
    14. Each prize winner grants Deakin a non-exclusive, non-transferable, royalty-free licence to reproduce images of their Work on the Deakin University Art Collection database and Deakin University Art Gallery webpage and for curatorial, educational, administrative and promotional purposes in all publication formats, including digital and social media, using all current and future technologies.
    Deakin will include an acknowledgement that the prize winner(s) is or are the creator of the winning work.
    1. The judges’ decision is final, and no correspondence or conversation will be entered into regarding any decision made by the judging panel.
    2. Separate to the above Awards, one artwork will be chosen as the People’s Choice winner from votes submitted by exhibition visitors and will win a $3,000 People’s Choice Award, this prize is non-acquisitive. Votes will be tallied at 4 pm, Friday 9 October 2026. Payment to the People’s Choice winner will be made on provision of bank account details. If the recipient has a business registered for GST and wants to add GST to their payment, payment will be made on provision of a tax invoice.
    3. Artists shortlisted for the prize will be invited to exhibit their entries from Monday 24 August 2026 to Friday 9 October 2026 at the Deakin University Art Gallery, Melbourne Burwood Campus. The winner will be chosen from the finalists’ exhibition and announced at the opening of the exhibition. The winner will be notified if not in attendance at the opening.
    4. Exhibited works cannot be for sale but if enquiries are made by members of the public they will be put in contact with the artist concerned or their nominated representative.
    5. A limit of three entries is permitted per person as an individual or joint entrant.
    6. Entries cannot be changed once submitted.
    7. Each entry may be accompanied by up to four digital images (JPEG preferred) and must include the name of the entrant in the file name.
    8. All entries must be the original work of the entrant (or entrants) and made within 12 months prior to the date of entry.
    9. Finalists’ works must be delivered to the Deakin University Art Gallery on Tuesday 11 August 2026 between 10 am and 4 pm. Works will not be accepted at any other time unless by prior arrangement with the Art Collection and Galleries Unit.
    10. Sculptures will be strictly weighed and measured on arrival. Any works not meeting the strict size and weight requirements will not be exhibited in the finalists’ exhibition and will not be eligible for judging (all costs associated with this will be borne by the finalist).
    11. Substitutions of original entries will only be allowed in exceptional circumstances at the discretion of the organisers.
    12. If a work uses mains power to operate it must arrive at Deakin with current testing and tagging certification or it will be refused.
    13. If a finalist wishes to set up their own work that can be negotiated by prior arrangement with the Art Collection and Galleries Unit, with a maximum time allowance of two hours and meeting the strict date requirements as advised by the organisers.
    14. Works need to be collected between 10 am and 4 pm on Tuesday 13 October 2026. Works cannot be removed at any other time unless by prior arrangement with the Art Collection and Galleries Unit.
    15. All entries selected for exhibition must be available for continuous display at the Gallery for the period of the exhibition. Artists and/or their representatives cannot remove an artwork from display prior to Monday 12 October 2026.
    16. Freight to and from Deakin University and transit insurance are the responsibility of the entrant (or entrants).
    17. By completing the entry form and entering the work, the entrant (or entrants) warrants that the work is the sole and unencumbered property of the entrant (or entrants) and that there are no inhibitions or restrictions upon title passing to Deakin University in the event that the work is selected as the winner.
    18. Deakin University reserves the right to reproduce images of the exhibition finalists as individual and/or group images for archival, internal cataloguing, or advertising and promotion (in either or both print and electronic form) of the Deakin University Contemporary Small Sculpture Award.
    19. Installation photographs will be distributed to finalists for sharing on social media platforms so long as the exhibition and photographer are both credited.
    20. There will be an allowance for visitors to the Deakin University Contemporary Small Sculpture Award to take photographs of the artworks.
    21. Deakin University reserves the right to cancel or postpone the award and exhibition without explanation.
    22. Entries close Midnight AEST Friday 5 June 2026.
    23. Employees of Deakin and their immediate family members are not eligible to enter this award.
    24. All personal information gathered on the entry form will be used solely for the purpose of promoting and administering the Deakin University Contemporary Small Sculpture Award. The University treats personal information held by it in accordance with the Privacy and Data Protection Act (2014). You have a right to access your personal information held by Deakin University. Requests for access to personal information are managed under the Freedom of Information Act 1982 (Vic). The University’s information privacy policy may be viewed at deakin.edu.au/theguide or by contacting the Privacy Officer at privacy@deakin.edu.au.

    Applications closing: 05 June 2026

    Opportunity: Deakin University

    • Albury City
    • Federation Shire
    • Greater Hume Shire
    • Indigo Shire
    • Towong Shire
    • Wodonga City
    • Award / Prize / Competition

    Bowness Photography Prize

    About the Bowness Photography Prize The Bowness Photography Prize invites entries from artists working with photography. Entries for the prize will be considered from still photo-based media including analogue and digital photography, produced within the last year. Last year we celebrated the 20th edition of the prize, seeing some significant changes that enabled a rich prize offering. We were pleased to announce an increase to $50,000 for the winner and $2,500 cash awarded to two Honourable Mentions. Shortlisted artists are now paid loan fees for the exhibition of their works. These changes have been enabled by a substantial philanthropic gift from the Bowness Family Foundation, which reinforces the prominence of the prize and cements the importance of photography into the future. All finalists are eligible to be selected for the Wai Tang Commissioning Award, an initiative of the MAPh Foundation as part of the Bowness Photography Prize. The recipient will be awarded $10,000 in cash, with the opportunity to exhibit a body of work in the following year’s Bowness Photography Prize exhibition. One finalist will also be voted as the winner of the People’s Choice Award. Anna Higgins won the $50,000 prize in 2025, and her work Two horizons (2025) was acquired into MAPh’s collection. The judges also selected two Honourable Mentions: Sarah Rhodes, for Chamber of projection I (2025) and James Tylor, for Tapa-arra through the landscape 1, 4, 5 (2024).   Eligibility

    • Entries for the Bowness Photography Prize will be considered from still photo-based media including analogue and digital photography. Whilst Artificial intelligence (AI) can be used in the production process, it cannot be the substantial or overriding input into the creation of the work. If a work uses AI (in whole or in part) in the generation of an image, we require that the artist(s) describes in the artist’s statement accompanying the work how it was used as well as describing the other non-AI inputs that were also used in the creation of the image. This statement will then be used to assess whether AI has been the substantial or overriding input into the creation of the work.
    • There are no entry size restrictions, however the final image size and frame size must be specified on the entry form and the judges will select artworks for the final exhibition based on the exhibition space available.
    • Multi-panel artworks will be accepted. A multi-panelled artwork is considered as one work and to be eligible for selection must be entered in its entirety as one digital image.
    • Artwork/s must have been produced since 1 April 2025.
    • Employees of MAPh, the City of Monash, or members of MAPh Committee of Management, MAPh Foundation, or members of their immediate families are ineligible to enter the Bowness Photography Prize or vote in the People’s Choice Award.
    • Entrants must be Australian citizens or alternatively have been a resident of Australia for at least 12 months prior to the close of the entry submission period.
    • By entering this prize you are confirming that you are the creator and owner of the entered artwork/s and that exhibition and promotion of your artwork does not infringe copyright or moral rights and that you have obtained all appropriate permissions.
    Entry
    • Entries are to be submitted using the online entry process.
    • Please supply JPEG image files with the shortest side at a minimum of 2048 pixels..
    • Entrants may submit an artist statement (120 words maximum) and/or an artist curriculum vitae (1 page maximum).
    • Entry fee is $55 (GST free). Each entrant may submit up to three artworks per entry. There is no limit on the number of entries that may be submitted. The entry fee is nonrefundable and covers administration and handling.
    • Entries must be submitted with payment between 16 April and 14 June 2026 by 11.59pm (AEST).
    • Acknowledgment of receipt of payment will be sent to entrants via an automated email.
    Exhibition
    • All entrants will be notified by email on or around Thursday 16 July 2026 regarding the outcome of their entry.
    • Shortlisted finalists will be notified by email and will be required to: i) supply print-quality JPEG image files, with the longest side at a minimum of 3540 pixels, and a maximum file size of 15MB per image, and ii) send or deliver their original artwork to MAPh between Monday 10 August and Friday 14 August 2026 during business hours only. MAPh cannot accommodate weekend deliveries. Early deliveries are by prior arrangement only. Shortlisted finalists will need to submit installation requirements along with their works. Works must be install-ready when delivered to MAPh. Unframed artwork will be hung using pins or as the museum sees fit.
    • Shortlisted artworks will be on continuous display from Saturday 12 September to Sunday 8 November 2025.
    • All shortlisted artworks must be owned by the entrant and available for acquisition.
    • All finalists are requested to wait until MAPh publishes its shortlist before announcing their selection via their personal channels.
    Each shortlisted finalist will receive a loan fee of $400 (GST free). The finalist must invoice MAPh Foundation an invoice quoting the finalist’s Australian Business Number (ABN) and direct deposit details (bank name, account name, BSB and account number). If the finalist does not have an ABN, a GST free invoice must be provided together with Australian Tax Office form “Statement by a supplier” (reason for not quoting an ABN to an enterprise). The invoice will be paid approximately 30 days after the end of the month in which the invoice is received by the MAPh Foundation. Judging and awards
    • The judging panel will consist of two invited guests and a representative from MAPh.
    • The judges will view and consider all entries digitally in order to decide a shortlist. These shortlisted works will be physically exhibited at MAPh, then viewed and judged in person by the judging panel.
    • The judges will award an acquisitive cash prize of $50,000 for the winning artwork on Thursday 17 September 2026 (or other date determined by the MAPh Foundation). Two honourable mentions will also be acknowledged and will receive $2,500 each.
    • The winning artwork will be acquired by the MAPh Foundation and donated to the Museum of Australian Photography, City of Monash collection.
    • The judges’ decision will be final and no correspondence will be entered into.
    • The People’s Choice Award, voted by the public both in the Museum and online, will be announced on Thursday 12 November 2026.
    • The judges reserve the right not to exhibit any artwork if the artwork is not in their opinion of sufficient artistic merit, technical and formal resolution, or framed/presented appropriately. MAPh has the right to refuse to display any entry.
    • All finalists will be eligible for the 2027 Wai Tang Commissioning Award. MAPh’s curatorial team will nominate up to four artists from the 2026 Bowness Photography Prize exhibition to be considered for the award. The final selection committee will be comprised of MAPh Director, Anouska Phizacklea, MAPh Foundation Chair Megan Peart, former MAPh Director and MAPh Foundation Chair, Kallie Blauhorn, and Kee Wong.
    Promotion
    • If shortlisted, the entrant agrees to MAPh reproducing free of charge their artwork in all publicity and promotion of the Bowness Photography Prize, subject to MAPh’s discretion. This may include an exhibition catalogue, merchandise, marketing collateral and social media.
    Freight and insurance
    • Delivery and return freight will be the responsibility of each finalist and will be at no cost to MAPh or the MAPh Foundation.
    • All artworks will be handled by experienced staff in a museum environment. Adequate precautions must be taken in packing works as MAPh will not be held responsible for any loss or damage caused to any artwork while in transit to and from the Museum. Packaging must be suitable for return. Finalists’ artwork will be insured against loss, damage, theft and destruction while in storage and on display at MAPh. MAPh will not be held responsible if damage or loss is caused due to an artwork being inadequately mounted or framed. Finalists must provide an insurance value for the artwork when requested. This value may need to be substantiated if an insurance claim is made.
    • All artworks must be collected from the museum between Wednesday, 11 November to Friday, 20 November 2026 during business hours only. MAPh cannot accommodate weekend collections.
    Warranty provided by you
    • By entering the prize you expressly warrant that you meet all of these entry requirements.
    • If the winning artwork’s mounting or framing does not meet accepted museum standards the finalist must provide an alternative that meets MAPh’s conservation and preservation standards.
    • You also agree that in the event you are declared a winner of any prize category and it is subsequently determined by MAPh or the MAPh Foundation, in their sole discretion, that you did not meet these entry specifications, you will return the entire amount of any prize money received by you within 14 days of any request for it to be repaid.
    • You also agree to respond promptly and fully to any questions or requests for information sought from you by MAPh or the MAPh Foundation.
    Information
    • All personal information gathered by MAPh will be used solely for the purpose of administering the Bowness Photography Prize.
    • For further enquiries please email bowness@monash.vic.gov.au or telephone 03 8544 0500.

    Applications closing: 14 June 2026

    Opportunity: Museum of Australian Photography

    • Albury City
    • Federation Shire
    • Greater Hume Shire
    • Indigo Shire
    • Towong Shire
    • Wodonga City
    • Expression of Interest

    Multicultural Art Showcase Corowa EOI

    Expressions of interest are open to showcase your art or craft in the Intereach multicultural art showcase in Corowa. Whether it’s painting, carving, beading or something uniquely yours – we’d love to see it. Your practice could link to any form of cultural identity, whether it be from overseas, Australian culture, LGBTQIA+, all forms of cultural art and craft are welcome – from traditional to contemporary. Submit your expression of interest today by sending an email to MagdalenaR@intereach.com.au or calling 0417 796 956 for more information.

    Applications closing: 15 June 2026

    Opportunity: Intereach

    • Federation Shire
    • Award / Prize / Competition

    The Joyce Spencer Textile Awards

    About The Awards The Joyce Spencer Textile Awards are to support regional NSW textile artists or collectives to deliver new artworks or exhibitions. Named after the textile artist Joyce Spencer (1928 – 2019), the awards are made possible with funds from the Spencer family and Western Riverina Arts, in partnership with the Cad Factory.   Joyce Spencer Joyce Spencer (1928-2019) was an artist who lived in Narrandera and liked making ‘things’ associated with arts and crafts, exploring the history and techniques of weaving, painting, ceramics and more. Joyce loved sharing her knowledge by teaching and giving workshops. Joyce published five books, with “Folk Art Cards” a best seller among craft circles. Joyce’s personal motto was “a creative mess is better than tidy idleness.”   Support Given In 2026 one fellowship of $4000 will be awarded to a mid-career artist or group to assist in achieving their outcome.  A $1500 highly commended award and a $600 prize will also be awarded. For projects delivered between August 2026 and December 2028. ​ Selection Criteria

    1. The lead artist must reside in regional NSW. Regional NSW does not include; Greater Sydney, the Central Coast, Newcastle, Wollongong and the Blue Mountains. 2. Lead regional NSW artists can work with people/groups/artists not located in regional NSW.
    2. New textile artworks could be made for festivals, site-specific outcomes, exhibitions, performances or any kind of public presentation.
    Selection Panel Llewelyn Tuckett: Daughter of Joyce Spencer Sarah McEwan: Artist/Cad Factory Aanya Whitehead: RADO, Western Riverina Arts   To Apply Applicants who meet the selection criteria will be asked to submit their application via an online Google form. A downloadable version of the form is also available.   The form will ask you to include:
    • Name, pronouns, date of birth, contact information, local regional arts board.
    • 500 words about your project or exhibition.
    • 1 page CV of each artist involved.
    • Confirmation letter of where the project will be presented. Eg letter from a gallery, local council, RADO, arts organisation etc outlining you have a confirmed venue or site-specific location.
    • Up to 10 images of work with clearly labelled titles
      More Information Sarah McEwan Creative Producer at the Cad Factory P: 0405 447 490 E: sarah@cadfactory.com.au

    Applications closing: 19 June 2026

    Opportunity: The CAD Factory

    • Albury City
    • Federation Shire
    • Greater Hume Shire
    • Award / Prize / Competition

    Young Composer Award

    Overview The Young Composer Award (YCA) is an annual national competition established to provide young Australian composers with the unique opportunity to compose for a symphony orchestra. The YCA provides the award recipient with both a concert performance and live recording of the successful composition by the Willoughby Symphony Orchestra. In 2026, the Young Composer Award celebrates its 22nd year in providing an industry pathway for emerging orchestral composers. The award provides invaluable experience and relationships toward refining original orchestral works alongside a respected conductor and accomplished orchestra. Hosted by Willoughby Symphony Orchestra, the WSO gratefully acknowledges benefactor Mark Wakely for his generous support of the award in memory of Steven Alward.   2026 Prizes and Opportunities The first prize recipient of the Young Composer Award receives:

    • Cash prize of $5,000
    • Premiere performance and live recording of the first prize composition with the Willoughby Symphony Orchestra on Sunday 27 September at 2 pm
    • Workshop rehearsal of the first prize composition with the Willoughby Symphony Orchestra (scheduled for Saturday 26 September at 2:30 pm)
    At the adjudication panel’s discretion, the Young Composer Award also offers:
    • Highly Commended Award cash prize amount of $1,500
    • Encouragement Award cash prize amount of $500
    Highly Commended and Encouragement Awards do not include performance or recording opportunities. All entrants can apply to participate in, or observe, the ‘How to Write a Winner’ workshop, free of charge, on Saturday 5 September 2026 with a panel of industry experts to discuss ways to improve future submissions. Up to 10 compositions will be selected for the one-day workshop, and selected composers may apply to have their workshop travel subsidised by Willoughby City Council. Interested composers can apply to have their entry considered for the workshop as part of the Young Composer Award application process. Further information relating to this workshop will be provided to entrants in late July 2026. Please note: this workshop does not include a reading with the Orchestra.   Eligibility To enter, applicants must be:
    • Born on or after 1 January 1991
    • An Australian citizen
    • An Australian resident for tax purposes
      Entries close Monday 22 June 2026, 9 am

    Applications closing: 22 June 2026

    Opportunity: Willoughby Symphony Orchestra

    • Albury City
    • Federation Shire
    • Greater Hume Shire
    • Indigo Shire
    • Towong Shire
    • Wodonga City
    • Grant

    Emerging Artist Grant

    Important Dates Applications Open: Tuesday 5 May 2026 Close: Tuesday 23 June 2026, 5:00pm AEST For Travel/projects after: 18 September 2026 Grants announced: Mid September 2026   Overview The Emerging Artist Grants program offers grants of up to $15,000 to assist talented emerging and early-career artists in taking up professional development opportunities, usually overseas. Professional development opportunities allow emerging artists to gain experience, develop networks and learn skills from the world’s best. We believe these experiences are invaluable for individual artists and the ongoing development of Australia’s vibrant arts sector. The Trust’s Emerging Artist Grants program funds nationally and supports individual artists practising across the spectrum of the arts, from visual arts to community radio, design to literature, conservation of cultural heritage to circus arts. The Trust primarily supports structured professional development and networking opportunities such as residencies, internships, mentorships, workshops, and conferences.   Who can apply To be eligible for funding, applicants must:

    • Be a minimum of 18 years old by the project start date.
    • Be an Australian citizen or Permanent Resident of Australia.
    • Make a reasonable personal financial contribution to their project.
    • Demonstrate exceptional talent, initiative, and passion for their work.
    • Classify as an emerging or early-career artist*.
    *As a general guide, the Trust considers emerging and early-career artists to be within 10 years of attaining their first formal arts qualification in their area of practice (such as an undergraduate degree or equivalent). This does not mean applicants need to have attained formal qualifications in their area of practice to be considered for a grant. Where an applicant does not have formal training, the beginning of their practice is commonly marked by a significant recognition of the artist’s work and the artist’s vocational commitment to ongoing practice. Visit our FAQs for further clarification.   Who can’t apply
    • Individuals who have received or acquitted a grant from the Trust within the last two years.
    • Artistic groups such as a string quartet or comedy duo cannot submit a single application on behalf of multiple individuals. For artists seeking funding for a collaborative development project, each artist must submit an individual online application.
      What you can apply for The Trust primarily supports projects with structured professional development and networking opportunities in an international context.
    • Residencies
    • Mentorships
    • Study tours that have a clear skills development focus
    • Masterclasses and private lessons
    • Internships
    • Conferences and workshops
    • Postgraduate study with a focus on professional development and artistic practice where no equivalent exists in Australia.
      Professional development programs combining multiple opportunities can be applied for as a single project. For example, a series of residencies or a workshop followed by private lessons.   Projects in Australia The Trust primarily funds projects undertaken overseas. Development projects in Australia will only be considered for funding in exceptional circumstances. This includes distinguished or extraordinary opportunities that will offer exceptional benefits to an individual’s creative practice.   Musical instruments The Trust may also consider supporting the purchase of non-standard musical instruments or equipment in particular circumstances.   What you can’t apply for Opportunities and projects that fall into the following categories are ineligible.
    • Projects for which the sole purpose is an exhibition, performance, or making a work (such as a recording or publication). This includes performances at festivals.
    • Undergraduate degree courses.
    • Postgraduate study being undertaken through an Australian institution.
    • Projects that are already underway or will commence before the date indicated in our funding rounds; the Trust does not fund retrospectively.
    • Applications that the Trust has previously declined. Applicants may re-apply if seeking funding for a different project.
      How applications are assessed Applications are reviewed for eligibility, assessed by external practice area experts and then considered by the Board of Trustees. Our external experts and Trustees are looking for well-researched projects that demonstrate thorough planning and offer the time and scope to gain maximum benefit from the development experience. Assessment Criteria We support applicants who can demonstrate initiative, exceptional talent, and the ability to realise their ambitions. Applications will be assessed on the following criteria:
    • Applicant’s talent and demonstrated commitment to their practice.
    • Relevance and benefits of the development experience to the applicant’s career development.
    • Viability of the proposed project.
    • Alignment of the proposed project with the Trust’s funding principles.
    Due to the high volume of applications, the Trust is unable to provide feedback to unsuccessful applicants.   Application process Instructions for preparing an application Step 1:  Review all the information on this page. Step 2: Identify which Funding Round you wish to apply in, and note the key dates (application open and close and earliest commencement date for eligible projects). Step 3: Utilise the Application Guide drafting documents. Step 4: Click the Apply Now link at the bottom of this page. This link will only appear when a funding round is open. You can preview the application form. Step 5: Create an account in our grant management system, GivingData (or log in if you have applied for a grant previously). Step 6: Complete our eligibility quiz; this must be successfully completed before you can continue with an application. Step 7: Complete the online application form questions. Step 8: Upload all the required documents and provide links to your support material. This includes your CV, project budget, project itinerary, references, confirmation of your professional development opportunity and examples of work. Step 9: Submit your application before the funding round close date. You will be unable to access the application form after 5 pm AED/ST on the closing date. Applying while overseas? We recommend submitting your application a day early. If you are in a different time zone, please note that the application form within GivingData may incorrectly list the due date and time. Always refer to the date and time listed on our website for the funding round you are applying within. The application portal will always close at 5 pm AED/ST. What next?  Applications are reviewed by external experts and then considered by the Board of Trustees. The funding round you applied within lists a general date for the announcement of grants awarded. You will be advised of the outcome of your application by email. Successful Applicants If successful, you will be asked to confirm your grant and submit your banking details for payment by Electronic Funds Transfer (EFT). Notification of your application’s success will include the Standard Grant Conditions, which you must read carefully. If you do not wish to proceed with the grant or if there have been any changes to the project you proposed in your application, please contact the Trust as soon as possible and prior to providing your banking details. After completing your project and travel, you must acquit your grant by submitting a report in accordance with our Standard Grant Conditions. Further information for grantees can be viewed here.   Prepare to apply After reviewing all the information on this page, we encourage applicants to:
    • Visit our FAQs to further understand the Emerging Artist Grants program funding criteria and application process.
    • Read our Grantee Stories and Annual Reports for examples of what and whom we fund.
    • See our Application Guide for tips on preparing your application, supporting documents and material.
    • Utilise the application drafting documents in the Application Guide (i.e. sample application form, sample budget, budget template, sample itinerary and itinerary template). Please note that applications must be completed via the application portal below (this link will only be live during an open funding round).
    • Seek funding from other sources to ensure the best chance of your project’s success. These might include other trusts and foundations, scholarships and awards, service clubs, family, or businesses.
    • Contact us if you have any further questions about your eligibility, project, application or support materials.

    Applications closing: 23 June 2026

    Opportunity: The Ian Potter Cultural Trust

    • Albury City
    • Federation Shire
    • Greater Hume Shire
    • Indigo Shire
    • Towong Shire
    • Wodonga City
    • Grant

    Victorian Production Fund – Games

    Essentials About this program The Victorian Production Fund (VPF) – Games supports Victorian digital games development companies and creators to develop and release a variety of digital games. This program accepts applications to support games at pre-production, production and post-release. Applicants can apply at any time.   Our commitment to Diversity, Equity and Inclusion VicScreen is committed to building a thriving and inclusive screen industry that celebrates diversity in both content and people. Applications are expected to authentically reflect a diversity of voices across storytelling, teams and audiences. Applications should demonstrate how the diversity represented in their content is meaningfully reflected within the creative team or that collaboration is embedded from the earliest stages of development. Applicants must outline their commitments to diversity, equity, and inclusion in their applications. Before applying, please read VicScreen’s DEI Roadmap to 2033.   What are we looking for? Original digital game projects:

    • from Victorian developers at all stages of their career
    • that have a mix of creative, cultural and commercial outcomes
    • that have clear plans for the stage of development and paths to investment and market
    • that support the ongoing development and sustainability of individuals and businesses, as well as the broader Victorian screen sector
    • that contribute to VicScreen’s strategic priorities of:
    – driving industry growth and jobs – generating compelling Victorian content and IP – developing skills and talent – enhancing Victoria’s reputation as a vibrant, diverse and creative game development hub.   Who is eligible? To apply, you must be:
    • an Australian company based in and operating out of Victoria for at least six months immediately prior to the funding application, or
    • an Australian citizen or Australian permanent resident who can substantiate residency in Victoria for at least six months immediately prior to the funding application.
    View our Terms of Trade for further details on eligibility requirements.   What projects are eligible?
    • Original digital game projects targeting PC, consoles, mobile, VR, AR or XR with a digital and/or physical release strategy.
    • For pre-production funding, projects must have:
    – Early-stage concept or prototype materials showing the game’s intended key elements such as mechanics, themes, art style, narrative or other game features – Development documentation showing the planned work and investment for this stage and plans for securing additional funding and moving into full production.
    • For production funding, projects must have:
    – Concept materials showing the game’s intended key elements and / or a playable digital prototype ready to move into full production – Development documentation showing planned work and investment of the project towards a public release.
    • For post-release funding, projects must have:
    – An existing publicly released project – Development documentation that shows a package of work that builds on the released game such as localisation, porting, downloadable content, or other game content.   What projects are not eligible for this program?
    • In addition to projects excluded under VicScreen’s Terms of Trade, the following project types are ineligible under this program:
    – Projects that contain or have relationships to gambling, exploitative pay-to-win mechanics, play-to-earn mechanics, or high risk and volatile trading products or technologies – Projects with substantial First Peoples content that do not have Key Creatives from an appropriate background – Projects designed primarily for educational, training and simulation, research, marketing or other business-to-business audiences or purposes.
    • A project that has been declined for funding from this program unless VicScreen has deemed it significantly reworked.
    • A project that has been declined three times for funding from this program.
      What can you receive funding for?
    • For all stages of development:
    – Specific project features that are vital to the stage goal, as outlined below – Staffing costs associated with the development team – Engaging highly experienced mentors and/or consultants to assist with creative, technical, or business elements of the project, including accessibility and diversity consulting. For new and emerging teams, this is strongly recommended – Legal fees, including assistance with distribution, licensing and publishing agreements and intellectual property protection – Accounting costs and advice.
    • For pre-production:
    – Development work necessary for a prototype, proof of concept or vertical slice able to move into full production – Business development including assistance with publishers, pitch deck generation, branding and market strategy, distributors, franchise development and identifying alternate revenue streams.
    • For production:
    – Development work necessary to a project’s public release – Audience engagement and marketing strategies appropriate to pre-release of the project
    • For post-release:
    – Ongoing content development and delivery post project release – Localisation or porting costs – Additional marketing or post-release audience engagement including strategy planning, press kits, user acquisition, social media and community management.   How much can you apply for?
    • Funding is capped at $300,000 per application or $500,000 per project.
    • You must contribute 50% or more of the stage budget through in-kind work, applicant cash, external funds or some other combination. You must provide evidence of external funds contribution to the finance plan as part of your application.
    • For pre-production, the requested amount should target between 10% and 25% of the project’s total budget.
    • For production, the requested amount should target between 10% and 50% of the project’s total budget.
    • For post-release, the requested amount should target up to 50% of the post-production budget.
    • In some circumstances the requested amount cap may be exceeded for Victorian production companies with projects providing exceptional value or benefit in meeting VPF objectives.
    • Funding is provided as an assigned production investment, where VicScreen’s equity, copyright and recoupment position is assigned to the applicant.
    • Applicants can discuss their funding requests with VicScreen prior to submitting an application.
      Projects with First Peoples Content
    • VicScreen does not support projects with substantial First Peoples content without a First Peoples member on the key creative team.
    • If your project includes First Peoples Content, please refer to VicScreen’s First Peoples Content Statement to ensure your project is eligible and you have the required documents ready to submit with your application. If you are unsure about what is required, or have any questions, please get in contact with VicScreen to discuss further.
      Who can you talk to about this program?
    • Head of Games and Interactive – Paul Callaghan, 03 9660 3224
    • Production Executive (Games and Interactive) – Lise Leitner, 03 9660 3277
    • For technical issues or form submission enquiries, Senior Grants Officer – Nadia, 03 9660 3220
      The Details What do you need to apply?
    • Discuss your project with VicScreen staff, including eligibility criteria and the submission and assessment process.
    • Complete the online application form and provide the supporting documentation in the Application Documents Checklist.
      What happens after you apply?
    • Your application will be assessed by our games assessment panel consisting of qualified staff and external industry specialists.
    • Funding is competitive and assessors take into account the Assessment Criteria (see below), VicScreen’s availability of funds, the diversity of the current slate of projects and teams across all platforms, as well as the perceived need for VicScreen funds by the applicant.
    • Funding recommendations are presented to VicScreen management, CEO or Board for approval.
      Assessment Criteria Applications will be assessed against the following criteria:
    • Quality & feasibility of the project
    – How the project is compelling and distinctive across its mechanics, narrative, visual style, use of technology or other key creative elements, and how clearly the supplied creative materials communicate the project’s vision and direction – The level of planning in delivering the project and how clearly the supplied materials show the project’s scope, tasks, milestones, deliverables and risks – The ability and skills of the team in delivering the project’s scope.
    • Ability of the project to meet the objectives of the Victorian Production Fund
    – The level of economic benefits generated including the level of confirmed funding, established commercial relationships, and/or clear and achievable plans to secure future funding – The level of employment and spend in Victoria triggered by this stage – The project’s impact on the long-term sustainability and commercial goals of the developer – The level of cultural value and impact the project has in terms of Australian practitioners, experiences and representation
    • Contribution of the project towards VicScreen’s broader strategic objectives
    – How the project contributes to industry development, including developing key talent, growing development businesses, providing additional training or career development opportunities, driving innovation, supporting a diverse network of practitioners and supporting new creative and cultural infrastructure – Promoting Victoria as a vibrant destination through commercial and cultural success – Diversity, Equity and Inclusion » How robustly the application advances diversity across one or more core areas:
    • Meaningful representation of diversity in themes, narratives, any in-game characters and target audience.
    • Project leadership and Key Creatives
    • Industry access and opportunities for training/career progression/mentoring.
    – Accessibility » The extent to which accessibility measures have been considered and planned for, along with the suitability of proposed measures.   How long until a decision is made? You can expect to know the outcome within 8-10 weeks of submitting an application.   What happens if you get funding?
    • You will be contacted by email once the outcome is known.
    • Successful applicants will enter into a standard, non-negotiable agreement with VicScreen, setting out the terms and conditions of the approved funding, including deliverables and credit requirements.
      What happens if you don’t get funding?
    • We will contact you to let you know if you have been unsuccessful in obtaining funding.
    • You are welcome to get in touch with the Program Manager to receive feedback on your application.
      What will help your application?
    • Read these guidelines and the Terms of Trade, which set out the core terms on which VicScreen conducts its business. Terms underlined in black appear in the website glossary.
    • Review the online application form – make sure you have all required documents ready to be submitted with the application.
    • Read our First Peoples Content Statement.
    • Read our Gender & Diversity Statement. Make sure your application speaks to the Assessment Criteria.
      Ready to start your application? Start your application

    Applications closing: 23 June 2026

    Opportunity: VicScreen

    • Indigo Shire
    • Towong Shire
    • Wodonga City

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